https://marylouwilliams.bandcamp.com/
Mary Lou Williams – Mary Lou's Mass
Sello:
Mary Records – M 102
Formato:
Vinilo, LP, Album, Stereo
País:
US
Publicado:
1975
Género:
Jazz
Estilo:
Bop, Post Bop, Soul-Jazz
Lista de TítulosOcultar créditos
A1 Praise The Lord 2:07
A2 Old Time Spiritual 1:10
A3 The Lord Says 1:51
A4 Act Of Contrition 1:26
A5 Kyrie - Lord Have Mercy
Written-By – M.L. Williams*, R. Ledogar*
Written-By – M.L. Williams*, R. Ledogar* 1:42
A6 Gloria 1:42
A7 In His Day 0:52
A8 Lazarus
Written-By – M.L. Williams*, S. Henry*
Written-By – M.L. Williams*, S. Henry* 4:24
A9 Credo
Written By – E. Flanagan
Written-By – M.L. Williams*
Written By – E. Flanagan
Written-By – M.L. Williams* 2:12
A10 Medi I 3:58
B1 Holy, Holy, Holy 2:17
B2 Our Father 2:07
B3 Lamb Of God 3:23
B4 People In Trouble 3:16
B5 One
Written-By – Leon Thomas
Written-By – Leon Thomas 1:23
B6 Praise The Lord (Come Holy Spirit) 3:52
Compañías, etc.
Masterizado en – Frankford/Wayne Mastering Labs
Publicado por – Cecilia Music Publishers, Inc.
Publicado por – Nuwaupu Music
Créditos
Arranged By, Producer, Written-By – Mary Lou Williams
Artwork By – Berit De Koenigswarter
Bass – Carline Ray (pistas: A6-A9, B2, B5), Chris White (3) (pistas: A1, A3, A5, B1, B4), Milton Suggs (pistas: A2, A4, A10, B3, B6)
Conductor – Howard Roberts* (pistas: B3, B6)
Congas – Abdul Rahman (pistas: A1, A3, A5, B1, B4), Ralph MacDonald (pistas: A2, A10, B6)
Cover, Design – Berit De Koenigswarter
Drums – Al Harewood (pistas: A6-A7, A9, B2, B5), David Parker (11) (pistas: A1-A3, A5, A10, B1, B4, B6)
Flute – David Amram (pistas: B5), Roger Glenn (pistas: A1-A3, A5, A10, B1, B3-B4)
French Horn – David Amram (pistas: A6-A7, A9, B2), Julius Watkins (pistas: B6)
Guitar – Leon Atkinson (pistas: A6, A8-A9, B5-B6), Sonny Henry (pistas: A1, A3, A5, B1, B4)
Mastered By – Al Brown (5)
Piano – Mary Lou Williams (pistas: A1-A10, B1-B6)
Producer – Peter O'Brien (2)
Vocals – Carl Hall (pistas: A1, A3, A5, B4), Carline Ray (pistas: A6-A9, B1, B5), Christine Spencer (pistas: A6-A7, A9, B1-B2, B5), Eileen Gilbert (pistas: A6-A7, A9, B1-B2, B5), Honi Gordon (pistas: A4), James Bailey (pistas: A1, A3, A5, B1, B4), Milton Grayson* (pistas: A1, A5, B1, B4), Randy Peyton (pistas: A6, A9, B2, B5)
Vocals [Screams] – Honi Gordon (pistas: B3)
Vocals [Solo] – Carl Hall (pistas: A5, A7, B1, B4), Carline Ray (pistas: A8), Honi Gordon (pistas: B3), Milton Grayson* (pistas: A3), Peter Whitehead (pistas: B6), Randy Peyton (pistas: A7, B1)
Notas
Deep groove.
Tracks A2, A4, A10, B3, B6 recorded January 1972 - never before issued on records.
All other titles recorded early 1970 - formerly issued on Music For Peace
Entier album remixed and remastered at Media Sound, NYC 1975
Mary Lou Williams – Mary Lou's Mass
Sello:
Smithsonian Folkways – SFW CD 40815
Formato:
CD, Album, Reissue
País:
US
Publicado:
2005
Género:
Jazz
Estilo:
Bop, Post Bop, Soul-Jazz
Lista de TítulosOcultar créditos
1 Willis 3:37
2 O.W.
Other [Vocables] – M. L. Williams*
Other [Vocables] – M. L. Williams* 2:16
3 Praise The Lord 2:09
4 Old Time Spiritual 1:10
5 The Lord Says 1:50
6 Act Of Contrition 1:26
7 Kyrie Eleison (Lord, Have Mercy)
Words By – M. L. Williams*
Words By – M. L. Williams* 1:43
8 Gloria 1:53
9 Medi I And Medi II 3:59
10 In His Day / Peace I Leave With You / Alleluia 0:53
11 Lazarus
Words By – M. L. Williams*, Sonny Henry
Words By – M. L. Williams*, Sonny Henry 4:36
12 Credo 2:19
13 Credo (Instrumental) 5:48
14 Holy, Holy, Holy 2:24
15 Amen 0:17
16 Our Father 2:11
17 Lamb Of God 3:23
18 It Is Always Spring
Music By, Words By – Leon Thomas
Music By, Words By – Leon Thomas 2:34
19 People In Trouble
Words By – M. L. Williams*
Words By – M. L. Williams* 3:27
20 One 1:23
21 Praise The Lord (Come Holy Spirit) 3:55
22 Jesus Is The Best
Words By – Thomas Virga
Words By – Thomas Virga 2:53
23 Tell Him Not To Talk Too Long
Words By – M. L. Williams*
Words By – M. L. Williams* 2:33
24 I Have A Dream
Words By – M. L. Williams*
Words By – M. L. Williams* 1:59
Compañías, etc.
Copyright fonográfico ℗ – Smithsonian Folkways Recordings
Copyright © – Smithsonian Folkways Recordings
Créditos
Arranged By, Producer [Original] – Mary Lou Williams
Bass – Carline Ray (pistas: 1, 8, 11 to 13, 16, 20, 22), Chris White (3) (pistas: 2, 3, 5, 7, 14, 15, 18, 19), Milton Suggs (pistas: 4, 9, 17, 21)
Bass [Acoustic] – Milton Suggs (pistas: 6)
Bass [Electric] – Carline Ray (pistas: 10)
Choir – SATB Chorus* (pistas: 17, 21), Choir From The North American College In Rome (pistas: 23, 24)
Compiled By, Reissue Producer, Liner Notes – Fr. Peter O'Brien, S.J.*
Conductor – Howard Roberts* (pistas: 17, 21)
Congas – Abdul Rahman (pistas: 1, 2, 3, 5, 7, 13, 14, 19, 22), Ralph MacDonald (pistas: 4, 9, 21)
Design, Layout – Sonya Cohen Cramer
Drums – Al Harewood (pistas: 8, 10, 12, 16, 20), David Parker (11) (pistas: 1 to 5, 7, 9, 13 to 15, 18, 21, 22)
Flute – David Amram (pistas: 20), Roger Glenn (pistas: 2 to 4, 7, 9, 14, 15, 17 to 19), Unknown Artist (pistas: 23, 24)
French Horn – David Amram (pistas: 8, 12, 16), Julius Watkins (pistas: 21)
Guitar – Leon Atkinson (pistas: 8, 10 to 12, 20, 21), Sonny Henry (pistas: 2, 3, 5, 7, 13 to 15, 18, 19, 22)
Liner Notes – Tammy L. Kernodle
Liner Notes [Editorial Assistance] – Jacob Love
Management [Production] – Mary Monseur
Music By – Mary Lou Williams (pistas: 1 to 17, 19 to 24)
Organ – Mary Lou Williams (pistas: 23, 24)
Photography By – Mikki Ferrill, Patrick Hinely
Piano – Mary Lou Williams (pistas: 1 to 22)
Supervised By [Production] – D. A. Sonneborn*, Daniel Sheehy
Supervised By [Sound], Mastered By – Pete Reiniger
Tambourine – David Parker (11) (pistas: 13, 22)
Vocals – Carl Hall (pistas: 2, 3, 5, 14, 15, 18), Carline Ray (pistas: 8, 10, 11, 12, 14, 20), Christine Spencer (pistas: 8, 10, 12, 14, 16, 20), Eileen Gilbert (pistas: 8, 10, 12, 14, 16, 20), Honi Gordon (pistas: 6), James Bailey (pistas: 2, 3, 5, 7, 14, 15, 18, 19), Milton Grayson* (pistas: 2, 3, 7, 14, 15, 18, 19), Randy Peyton (pistas: 8, 10, 12, 16, 20), Sonny Henry (pistas: 22)
Vocals [Overdubbed] – Carline Ray (pistas: 7), Christine Spencer (pistas: 7), Eileen Gilbert (pistas: 7), Randy Peyton (pistas: 7)
Vocals [Screams] – Honi Gordon (pistas: 17)
Vocals [Solo] – Carl Hall (pistas: 7, 10, 19), Carline Ray (pistas: 16), Honi Gordon (pistas: 17), Leon Thomas (pistas: 18), Milton Grayson* (pistas: 5), Peter Whitehead (pistas: 21), Randy Peyton (pistas: 10, 14)
Notas
Track 1, 13 & 22 recorded September 3, 1917.
Tracks 2, 3, 5, 7, 15, 18 & 19 recorded October 5, 1969.
Tracks 4, 6, 9, 10, 17 & 21 recorded January 7, 1972.
Tracks 8, 11, 12, 14, 16 & 20 recorded February 20, 1970.
Tracks 23 & 24 recorded Spring 1969 at The Vatican Radio.
Track 7 overdubbed on February 13, 1970.
℗© 2005 Smithsonian Folkway Recordings
Jez riley French:
Mary Lou Williams presents... (album liner notes)
The Asch Recordings (album liner notes)
At the Intersection of Jazz and Catholicism: The Sacred Music of Mary Lou Williams
The Function of Oral Tradition in Mary Lou's Mass
‘‘The Fools Don’t Think I Play Jazz’’: Cecil Taylor Meets Mary Lou Williams
Brief Biography"Night Life"
A Celebration (program notes)
Acetates and Sound Recordings (archive list)
Mary Lou Williams Collection (archive list)
First Lady of the Piano
“Playing Like a Man”: the Struggle of Black Women in Jazz and the Feminist Movement (inc...)
Faith and Struggle in the Lives of Four Black Americans (inc...)
(also epub)
Mary Lou's Mass
by Mary Lou Williams
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1.
Willis 03:41
2.
O.W. 02:19
3.
Praise the Lord 02:13
4.
Old Time Spiritual 01:14
5.
The Lord Says 01:54
6.
Act of Contrition 01:30
7.
Kyrie Eleison (Lord, Have Mercy) 01:47
8.
Gloria 01:56
9.
Medi I and Medi II 04:03
10.
In His Day / Peace I Leave With You / Alleluia 00:57
11.
Lazarus 04:40
12.
Credo 02:22
13.
Credo (Instrumental) 05:51
14.
Holy, Holy, Holy 02:27
15.
Amen 00:21
16.
Our Father 02:14
17.
Lamb of God 03:27
18.
It is Always Spring 02:37
19.
People in Trouble 03:31
20.
One 01:26
21.
Praise the Lord (Come Holy Spirit) 03:58
22.
Jesus is the Best 02:57
23.
Tell Him Not to Talk Too Long 02:36
24.
I Have a Dream 01:59
about
The long-awaited reissue of Mary Lou Williams's magnum opus of religious jazz: Mary Lou's Mass. Newsweek called the score "an encyclopedia of black music, richly represented from spirituals to bop to rock." This is Williams's "Music for Peace," a landmark recording which addressed many of the social ills of the 1960s and 70s. It is perhaps the most openly religious jazz recording made at that time. In her own words, it is "Music for the Soul."
credits
released February 22, 2005
2005, Smithsonian Folkways Recordings
By John S. Wilson
Feb. 9, 1975
About the Archive
This is a digitized version of an article from The Times’s print archive, before the start of online publication in 1996. To preserve these articles as they originally appeared, The Times does not alter, edit or update them.
Occasionally the digitization process introduces transcription errors or other problems; we are continuing to work to improve these archived versions.
How does a jazz musician get booked into St. Patrick's Cathedral, a place where no jazz musician has ever played? Mary Lou Williams, the jazz pianist and composer, knows the answer for on Tuesday afternoon at 2 P.M. her “Mary Lou's Mass” will be performed there. Here is how the event came about.
Four years ago, Miss Williams went with Father Peter O'Brien, a young priest who serves as her manager, to an ordination at Fordham University attended by Cardinal Terence Cooke. After the ceremony, Miss Williams urged Father O'Brien to speak to the Cardinal about having her Mass performed in St. Patrick's. But the young priest objected: This would not be proper protocol.
“So Peter hid behind a tree,” Miss Williams recalled with a pleased gleam in her eve, “and I went chasing across the campus shouting ‘Cardinal Cooke! Cardinal Cooke!’ I told him I'd written n Mass and I'd like to do it at St. Patrick's. He said ‘Fine.’ I said, ‘It's kind of noisy and loud … 'That's what we need,’ “he said. He thought it would be a wonderful thing for young people.
Miss Williams took a deep drag on a small, black cigar and looked around the living room of her apartment on Sugar Hill overlooking St. Nicholas Avenue. She has lived there since 1941 when she left Andy Kirk's band, with which she had been pianist and arranger for 12 years. Suitcases, a tape machine, a record player were scattered around the room. Along one wall were stacks of cardboard boxes containing Mary Records, a label she started in 1964 to record her own works. On top of a wellworn upright piano stood a hand‐lettered sign: “Smile—God Loves You.”
ADVERTISEMENTContinue reading the main story
Mary Lou Williams began her career as a child prodigy n Pittsburgh and became a seminal jazz figure in Kansas City in her early 20's. Now, at 64, she is a cheerfully vital woman who speaks with passionate conviction about the spiritual qualities of jazz. the destructiveness of rock music (“the rhythm is corny and stiff”) and the importance of getting young black musicians back to the musical heritage she feels they have lost.
“Anybody under 30 now is not playing jazz,” she declared. “The kids today can't hear the old changes. I've sat in this apartment for two months trying to teach young bass players.”
Jazz, she believes, Is “spiritual and healing to the soul. It's the only true art in the world.” Alarmed at the daring of that statement, she added, “Oh, should I say that?
“Well,” Miss Williams went on, “I think jazz is as spiritual as the spirituals. I heard my grandparents speak of slavery. They told me what happened. The slaves used the spirituals to forget what. was happening. The spirituals came out of great suffering and jazz was born from the spirituals.”
About 20 years ago Mary Lou Williams thought jazz was disappearing. Newcomers to the music, she felt, had lost the heritage that she and other earlier jazz musicians had created. The sounds of modern jazz, in her opinion, were neurotic, disturbed.
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