Duke Edwards & The Young Ones (3) – Is It Too Late?
Sello:
Prestige – PR 7590, Prestige – 7590, Prestige – PRST 7590
Formato:
Vinyl, LP, Album, Stereo
País:
US
Publicado:
1968
Género:
Jazz, Funk / Soul
Estilo:
Free Jazz, Gospel, Spoken Word, Soul
Lista de Títulos
A1 Is It Too Late? 13:45
A2 Black Elephant 9:40
Man (21:15)
B1a Don't Cry Baby
B1b Why?
B1c Reach For A Star
Compañías, etc.
Record Company – Prestige Records Inc.
Published By – Prestige Music (3)
Lacquer Cut At – Van Gelder Studio, Englewood Cliffs, New Jersey
Créditos
Drums – Clayton Johnston
Engineer [Recording] – Mike Ethier
Guitar – Wayne Prue
Lacquer Cut By – Van Gelder*
Organ – J. St. Julian Brown*
Producer – Cal Lampley
Tenor Saxophone – Doug Richardson (tracks: A2)
Tenor Saxophone, Soprano Saxophone, Flute – Bernard Moore (2)
Trombone – Richard Woodson
Vocals, Voice [Speaker], Percussion, Liner Notes – Duke Edwards
Eddie “Poppa Duke” Edwards was a renowned recording artist who performed in prestigious venues such as Carnegie Hall, and Madison Square Garden. Born February 24, 1936, into a Creole family filled with generations of jazz musicians, he began his personal musical career in the US Coast Guard’s Drum and Bugle Corps. Following his tenor at Berklee College of Music, Boston, MA, he traveled to Montreal, Canada, where joined jazz musician Sun Ra and his orchestra, studying composition and harmony. He released one LP as a solo artist, “Is It Too Late”, recorded in Montreal in the springtime of 1968, with his specially formed band “The Young Ones”, consisting of Clayton Johnston (drums), Bernard Moore (flute, saxophone), Wayne Prue (guitar), Julian Brown (organ), Doug Richardson (tenor saxophone) and Richard Woodson (trombone). He was introduced to booking agent, Rob Scribner and together, they formed Music Canada, where he created, produced wrote music, groomed, managed and worked with some of the finest musical talent in Toronto, Canada. In 1972, Eddie retired from the music industry and created a traveling communal group called the “Mud People”, which was made up of university professors, an attorney, and a doctor. They travelled to the banks of the Mississippi River in the parish of St. John in the town of Wallace, LA, to work in the community with the objective to create better race relations between people of all races while teaching universal brotherhood and New Orleans Jazz. Aged 80, he died on Sunday, March 20, 2016 at his home in New Orleans, LA.
You’d be doing well to find a copy of the original LP (out-of-print), but a 10 minute version of the title track can be sourced on Soul of a Nation: Afro-Centric Visions in the Age of Black Power – Underground Jazz, Street Funk & the Roots of Rap 1968-79 (Soul Jazz Records).
https://www.discogs.com/es/artist/7956779-Jeff-St-Julian-Brown
Jeff St. Julian Brown (aka Jeff "Soulman" Brown or Julian Brown) was born in Philadelphia, PA on June 14, 1940. Brown started a band, The Challengers, with his cousin Larry Young Jr., before joining the Birdlanders. He left The Birdlanders and played with various R&B groups and acts including Shep & The Limelights, Little Anthony & The Imperials, The Young Philadelphians, Solomon Burke, and Rufus Thomas. In 1961, he joined the Earl Lett quartet who visited Montreal in 1962. Brown decided to stay in Montreal and form his own group - The Jeff Brown Quartet. This group would become the house band at The Esquire Show Bar and released one single on the Dinosaur record label. At the insistence of Duke Edwards, Sun Ra's percussionist, Brown put together The Young Ones.
monohub
25 de enero de 2008
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