https://open.spotify.com/album/6PB1ExLaenkyov5q1NrSXd
https://www.youtube.com/watch?v=l9K5LicdI8Y&list=PLx-4vxgnF_IefPp0SGh-zTTDak4mokQiJ
https://www.youtube.com/playlist?list=OLAK5uy_mtAaCsaGuoW16qOiP0I_on7RsFbOtnDEA
https://www.youtube.com/@user-oo9ri3wd7o/playlists
Fontella Bass – The 'New' Look
A1 Our Day Will Come
A2 How Glad I Am
A3 Oh No, Not My Baby
A4 Rescue Me
A5 Gee Whiz
A6 I'm A Woman
B1 Since I Fell For You
B2 Impossible
B3 You've Lost That Lovin' Feelin'
B4 Soul Of The Man
B5 Come And Get These Memories
B6 I Know
not one-hit wonder ( Rescue Me )
Wonderful album,info musics in the album:
https://jazzdiscography.com/Artists/Green/green-disc.php
Date: November 1965
Location: Ter Mar Recording Studios, Chicago, IL
Label: Chess
Fontella Bass (ldr), Bunky Green (as), Gene Barge (ts), Rubin Cooper (bar), Lester Bowie, Art Hoyle, Paul Serrano (t), John Avant (tb), Pete Cosey (g), Leonard Caston (p), Sonny Thompson (org), Louis Satterfield (eb), Maurice White (d), Fontella Bass (v), Phil Wright (arr, con)
| a. | 14329 | I Know - 3:08 (Barbara George) |
| b. | 14330 | I'm A Woman - 2:29 (Jerry Lieber, Mike Stoller) |
| c. | 14331 | Gee Whiz - 2:28 (Carla Thomas) |
| d. | 14332 | Our Day Will Come - 3:45 (Bob Hilliard, Mort Garson) |
| All titles on: | Checker LP 12": LPS 2997 — The New Look (1966) Chess LP 12": CH 91517 — The New Look (1984) | |
Date: November 1965
Location: Ter Mar Recording Studios, Chicago, IL
Label: Chess
Fontella Bass (ldr), Bunky Green (as), Gene Barge (ts), Rubin Cooper (bar), Lester Bowie, Art Hoyle, Paul Serrano (t), John Avant (tb), Pete Cosey (g), Leonard Caston (p), Sonny Thompson (org), Louis Satterfield (eb), Maurice White (d), Fontella Bass (v), Phil Wright (arr, con)
| a. | 14341 | Come And Get These Memories - 2:18 (Brian Holland, Lamont Dozier, Edward Holland, Jr.) |
| b. | 14342 | Since I Fell For You - 3:24 (Buddy Johnson) |
| c. | 14343 | How Glad I Am - 2:41 (Larry Harrison, Jimmy Williams) |
| d. | 14344 | You've Lost That Loving Feeling - 3:24 (Barry Mann, Cynthia Weil, Phil Spector) |
| e. | 14345 | Oh No, Not My Baby - 2:39 (Carole King, Gerry Goffin) |
| f. | 14346 | Impossible - 2:49 (B. F. Flip, Ollie Jones) |
| All titles on: | Checker LP 12": LPS 2997 — The New Look (1966) Chess LP 12": CH 91517 — The New Look (1984) | |
Fontella Bass – Rescued - The Best Of Fontella Bass
Label: Chess – MCD09335, Chess – CHD9335, MCA Records – MCD09335, MCA Records – CHD9335
Series: The Original Chess Masters
Format:
CD, Compilation
Country: France
Released: 1992
Genre: Funk / Soul
Style: Soul
TracklistHide Credits
1 Fontella Bass– Rescue Me
Arranged By – Phil Wright
Bass – Louis Satterfield
Drums – Maurice White
Guitar – Pete Cosey
Organ – Sonny Thompson
Producer – Billy Davis (2)
Tenor Saxophone – Gene Barge
Written-By – Carl Smith (2)
Written-By, Piano – Raynard Miner
Arranged By – Phil Wright
Bass – Louis Satterfield
Drums – Maurice White
Guitar – Pete Cosey
Organ – Sonny Thompson
Producer – Billy Davis (2)
Tenor Saxophone – Gene Barge
Written-By – Carl Smith (2)
Written-By, Piano – Raynard Miner 2:54
2 Fontella Bass– You'll Never Know
Backing Vocals – The Olivettes (Sandy, Catherine, Ann)*
Bass – Louis Satterfield
Drums – Jerry Walker (2)
Guitar – Phillip Westmoreland
Written-By, Tenor Saxophone, Piano, Arranged By – Oliver Sain
Backing Vocals – The Olivettes (Sandy, Catherine, Ann)*
Bass – Louis Satterfield
Drums – Jerry Walker (2)
Guitar – Phillip Westmoreland
Written-By, Tenor Saxophone, Piano, Arranged By – Oliver Sain 3:06
3 Fontella Bass Duet With Bobby McClure– Don't Mess Up A Good Thing
Baritone Saxophone – Rubin Cooper
Bass – Louis Satterfield
Drums – Maurice White
Guitar – Pete Cosey
Piano – Leonard Caston
Tenor Saxophone – Gene Barge
Trumpet – Arthur Hall, Paul Serrano
Trumpet [Possibly] – David Hines (2)
Vocals – Bobby McClure
Written-By, Tenor Saxophone – Oliver Sain
Baritone Saxophone – Rubin Cooper
Bass – Louis Satterfield
Drums – Maurice White
Guitar – Pete Cosey
Piano – Leonard Caston
Tenor Saxophone – Gene Barge
Trumpet – Arthur Hall, Paul Serrano
Trumpet [Possibly] – David Hines (2)
Vocals – Bobby McClure
Written-By, Tenor Saxophone – Oliver Sain 2:53
4 Fontella Bass– The Soul Of A Man (A/K/A Soul Of The Man)
Bass – Louis Satterfield
Drums – Jerry Walker (2)
Guitar – Phillip Westmoreland
Written-By, Tenor Saxophone, Arranged By, Piano – Oliver Sain
Bass – Louis Satterfield
Drums – Jerry Walker (2)
Guitar – Phillip Westmoreland
Written-By, Tenor Saxophone, Arranged By, Piano – Oliver Sain 3:33
5 Fontella Bass– Sweet Lovin' Daddy
Backing Vocals – The Dells
Producer – Carl Davis
Written-By – John D. Jones, Jr.*
Backing Vocals – The Dells
Producer – Carl Davis
Written-By – John D. Jones, Jr.* 2:04
6 Fontella Bass– Recovery
Alto Saxophone – Bunky Green
Arranged By – Phil Wright (2)
Baritone Saxophone – Rubin Cooper
Bass – Louis Satterfield
Drums – Maurice White
Guitar – Bryce Roberson, Pete Cosey
Piano – Leonard Caston
Tenor Saxophone – Gene Barge
Trombone – John Avant, Julian Priester
Trumpet – Arthur Hoyle, Lester Bowie, Paul Serrano
Written-By – Carl Smith (2), Raynard Miner
Written-By, Producer – Billy Davis (2)
Alto Saxophone – Bunky Green
Arranged By – Phil Wright (2)
Baritone Saxophone – Rubin Cooper
Bass – Louis Satterfield
Drums – Maurice White
Guitar – Bryce Roberson, Pete Cosey
Piano – Leonard Caston
Tenor Saxophone – Gene Barge
Trombone – John Avant, Julian Priester
Trumpet – Arthur Hoyle, Lester Bowie, Paul Serrano
Written-By – Carl Smith (2), Raynard Miner
Written-By, Producer – Billy Davis (2) 2:29
7 Fontella Bass– Since I Fell For You
Alto Saxophone – Bunky Green
Arranged By – Phil Wright
Baritone Saxophone – Rubin Carter
Bass – Louis Satterfield
Drums – Maurice White
Guitar – Bryce Roberson, Pete Cosey
Keyboards – Charles Stepney
Organ – Sonny Thompson
Piano – Leonard Caston
Producer – Billy Davis (2)
Tenor Saxophone – John Board*
Trombone – John Avant
Trumpet – Lester Bowie, Oscar Brashear
Written-By – Woodrow Johnson*
Alto Saxophone – Bunky Green
Arranged By – Phil Wright
Baritone Saxophone – Rubin Carter
Bass – Louis Satterfield
Drums – Maurice White
Guitar – Bryce Roberson, Pete Cosey
Keyboards – Charles Stepney
Organ – Sonny Thompson
Piano – Leonard Caston
Producer – Billy Davis (2)
Tenor Saxophone – John Board*
Trombone – John Avant
Trumpet – Lester Bowie, Oscar Brashear
Written-By – Woodrow Johnson* 3:26
8 Fontella Bass Duet With Bobby McClure– You're Gonna Miss Me
Alto Saxophone – Bunky Green
Arranged By – Phil Wright
Baritone Saxophone – Rubin Cooper
Bass – Louis Satterfield
Drums – Maurice White
Guitar – Pete Cosey
Piano – Leonard Caston
Trombone – John Avant
Trumpet – Burgess Gardner, Willie Strickland
Vocals – Bobby McClure
Written-By – Carl Smith (2), Raynard Miner
Written-By, Producer – Billy Davis (2)
Alto Saxophone – Bunky Green
Arranged By – Phil Wright
Baritone Saxophone – Rubin Cooper
Bass – Louis Satterfield
Drums – Maurice White
Guitar – Pete Cosey
Piano – Leonard Caston
Trombone – John Avant
Trumpet – Burgess Gardner, Willie Strickland
Vocals – Bobby McClure
Written-By – Carl Smith (2), Raynard Miner
Written-By, Producer – Billy Davis (2) 2:38
9 Fontella Bass– I Surrender
Alto Saxophone – Bunky Green
Arranged By – Phil Wright (2)
Baritone Saxophone – Rubin Cooper
Bass – Louis Satterfield
Drums – Maurice White
Guitar – Bryce Roberson, Pete Cosey
Piano – Leonard Caston
Tenor Saxophone – Gene Barge
Trombone – John Avant, Julian Priester
Trumpet – Lester Bowie, Paul Serrano
Written-By – Shena DeMell, Sugar Pie DeSanto
Written-By, Producer – Billy Davis (2)
Alto Saxophone – Bunky Green
Arranged By – Phil Wright (2)
Baritone Saxophone – Rubin Cooper
Bass – Louis Satterfield
Drums – Maurice White
Guitar – Bryce Roberson, Pete Cosey
Piano – Leonard Caston
Tenor Saxophone – Gene Barge
Trombone – John Avant, Julian Priester
Trumpet – Lester Bowie, Paul Serrano
Written-By – Shena DeMell, Sugar Pie DeSanto
Written-By, Producer – Billy Davis (2) 2:58
10 Fontella Bass– Free At Last
Backing Vocals – The Olivettes (Sandy, Catherine, Ann)*
Bass – Louis Satterfield
Drums – Jerry Walker (2)
Guitar – Phillip Westmoreland
Written-By, Tenor Saxophone, Piano, Arranged By – Oliver Sain
Backing Vocals – The Olivettes (Sandy, Catherine, Ann)*
Bass – Louis Satterfield
Drums – Jerry Walker (2)
Guitar – Phillip Westmoreland
Written-By, Tenor Saxophone, Piano, Arranged By – Oliver Sain 2:33
11 Fontella Bass Duet With Bobby McClure– Baby What You Want Me To Do
Baritone Saxophone – Rubin Cooper
Bass – Louis Satterfield
Drums – Maurice White
Guitar – Pete Cosey
Piano – Leonard Caston
Tenor Saxophone – Gene Barge, Oliver Sain
Trumpet – Arthur Hall, Cleo Griffin, Paul Serrano
Trumpet [Possibly] – David Hines (2)
Vocals – Bobby McClure
Written-By – Jimmy Reed
Baritone Saxophone – Rubin Cooper
Bass – Louis Satterfield
Drums – Maurice White
Guitar – Pete Cosey
Piano – Leonard Caston
Tenor Saxophone – Gene Barge, Oliver Sain
Trumpet – Arthur Hall, Cleo Griffin, Paul Serrano
Trumpet [Possibly] – David Hines (2)
Vocals – Bobby McClure
Written-By – Jimmy Reed 3:12
12 Fontella Bass– Joy Of Love 3:16
13 Fontella Bass– I Can't Rest
Alto Saxophone – Bunky Green
Arranged By – Phil Wright (2)
Baritone Saxophone – Rubin Cooper
Bass – Louis Satterfield
Drums – Maurice White
Guitar – Bryce Roberson, Pete Cosey
Piano – Leonard Caston
Tenor Saxophone – Gene Barge
Trombone – John Avant, Julian Priester
Trumpet – Lester Bowie, Paul Serrano
Written-By – Carl Smith (2), Raynard Miner
Written-By, Producer – Billy Davis (2)
Alto Saxophone – Bunky Green
Arranged By – Phil Wright (2)
Baritone Saxophone – Rubin Cooper
Bass – Louis Satterfield
Drums – Maurice White
Guitar – Bryce Roberson, Pete Cosey
Piano – Leonard Caston
Tenor Saxophone – Gene Barge
Trombone – John Avant, Julian Priester
Trumpet – Lester Bowie, Paul Serrano
Written-By – Carl Smith (2), Raynard Miner
Written-By, Producer – Billy Davis (2) 2:54
14 Fontella Bass– Oh, No, Not My Baby
Alto Saxophone – Bunky Green
Arranged By – Phil Wright (2)
Baritone Saxophone – Rubin Carter
Bass – Louis Satterfield
Drums – Maurice White
Guitar – Bryce Roberson, Pete Cosey
Keyboards – Charles Stepney
Organ – Sonny Thompson
Piano – Leonard Caston
Producer – Billy Davis (2)
Tenor Saxophone – John Board*
Trombone – John Avant
Trumpet – Lester Bowie, Oscar Brashear
Written-By – Gerry Goffin-Carole King*
Alto Saxophone – Bunky Green
Arranged By – Phil Wright (2)
Baritone Saxophone – Rubin Carter
Bass – Louis Satterfield
Drums – Maurice White
Guitar – Bryce Roberson, Pete Cosey
Keyboards – Charles Stepney
Organ – Sonny Thompson
Piano – Leonard Caston
Producer – Billy Davis (2)
Tenor Saxophone – John Board*
Trombone – John Avant
Trumpet – Lester Bowie, Oscar Brashear
Written-By – Gerry Goffin-Carole King* 2:42
15 Fontella Bass Duet With Bobby McClure– Don't Jump
Alto Saxophone – Bunky Green
Arranged By – Phil Wright (2)
Baritone Saxophone – Rubin Cooper
Bass – Louis Satterfield
Drums – Maurice White
Guitar – Pete Cosey
Piano – Leonard Caston
Trombone – John Avant
Trumpet – Burgess Gardner, Willie Strickland
Vocals – Bobby McClure
Written-By – Carl Smith (2), Raynard Miner
Written-By, Producer – Billy Davis (2)
Alto Saxophone – Bunky Green
Arranged By – Phil Wright (2)
Baritone Saxophone – Rubin Cooper
Bass – Louis Satterfield
Drums – Maurice White
Guitar – Pete Cosey
Piano – Leonard Caston
Trombone – John Avant
Trumpet – Burgess Gardner, Willie Strickland
Vocals – Bobby McClure
Written-By – Carl Smith (2), Raynard Miner
Written-By, Producer – Billy Davis (2) 3:01
16 Fontella Bass– Leave It In The Hands Of Love
Alto Saxophone – Bunky Green
Arranged By – Phil Wright (2)
Baritone Saxophone – Rubin Cooper
Bass – Louis Satterfield
Drums – Maurice White
Guitar – Bryce Roberson, Pete Cosey
Piano – Leonard Caston
Producer – Billy Davis (2)
Tenor Saxophone – Gene Barge
Trombone – John Avant, Julian Priester
Trumpet – Arthur Hoyle, Lester Bowie, Paul Serrano
Written-By – Shena DeMell, Sugar Pie DeSanto
Alto Saxophone – Bunky Green
Arranged By – Phil Wright (2)
Baritone Saxophone – Rubin Cooper
Bass – Louis Satterfield
Drums – Maurice White
Guitar – Bryce Roberson, Pete Cosey
Piano – Leonard Caston
Producer – Billy Davis (2)
Tenor Saxophone – Gene Barge
Trombone – John Avant, Julian Priester
Trumpet – Arthur Hoyle, Lester Bowie, Paul Serrano
Written-By – Shena DeMell, Sugar Pie DeSanto 3:02
Notes
Track 1 taken from Rescue Me / Soul Of The Man (Checker single 1120).
Track 2 taken from Safe And Sound / You'll Never Ever Know (Checker single 1147).
Track 3 taken from Don't Mess Up A Good Thing / Baby, What You Want Me To Do (Checker single 1097.)
Track 4 taken from Rescue Me / Soul Of The Man (Checker single 1120).
Track 5 taken from Lucky In Love / Sweet Lovin' Daddy (Checker single 1183).
Track 6 taken from Recovery (Checker single 1131).
Track 7 taken from The 'New' Look (Checker LP 2997).
Track 8 taken from Don't Jump / You'll Miss Me (Checker single 1111).
Track 9 taken from I Surrender / I Can't Rest (Checker single 1137).
Track 10 is previously unreleased in the US.
Track 11 taken from Don't Mess Up A Good Thing / Baby, What You Want Me To Do (Checker single 1097).
Track 12 is previously unreleased. Writer/publisher/personnel unknown.
Track 13 taken from I Surrender / I Can't Rest (Checker single 1137).
Track 14 taken from The 'New' Look (Checker LP 2997).
Track 15 taken from Don't Jump / You'll Miss Me (Checker single 1111).
Track 16 taken from Recovery (Checker single 1131).
http://www.independent.co.uk/arts-entertainment/obituary-lester-bowie-1125271.html
Born in Maryland in 1941, Bowie grew up in St Louis at a time when musicians were still coming up from New Orleans. He played first in local rhythm- and-blues bands led by Little Milton and Albert King, both soon to become famous. He also worked with some of the young musicians in the city who, like him, were destined for fame. They included the saxophonists Roscoe Mitchell and Joseph Jarman and the drummer Jack DeJohnette. Bowie moved to Chicago in 1965, where he met Fontella Bass and became her musical director.
The same year, the pianist Muhal Richard Abrams formed the AACM as a jazz workshop and Bowie joined him. Their first recordings in 1967 show a group of unknown but very advanced musicians in completely spontaneous but expert and intoxicating improvisations. From this point on Bowie and his friends were no strangers to odd instrumentation. He played trumpet and flugelhorn but also anything exotic that seized his fancy, like bass drum or the mysterious cowhorn. Logs, bells, sirens, gongs, whistles and a zither also found their way into the armoury.
The band, finding no outlet at home, moved to France in 1968 and the following year recorded the LP A Jackson in Your House. Typically, the piece begins with a dignified and pompous overture which is punctured by the laughter of the band before it rocks into a Dixieland ensemble complete with clarinet and then into an approximation of the swing style. Although the music is unusually and intentionally funny, the direct social criticism of A Message to Our Folks done a couple of months later is much more serious. The two albums perhaps typified Bowie's weakness for slapstick and the way it occasionally diluted his more serious messages.
In 1969 ACM was founded with a completely new vision of jazz. On stage, the band imitated the street bands of South America, recited poetry and used a variety of unlikely sound effects as they played both avant-garde and more conventional jazz.
http://bluesway.gr/ow_userfiles/plugins/forum/attachment_29_55fb9b17ebd99_55fb9aefeb230_Encyclopedia-of-the-Blues-2006.pdf
Soul singer who achieved national fame recording for
Chicago’s Chess Records during the 1960s. She was
the daughter of notable gospel singer Martha Bass (a
member of the Clara Ward Singers and a soloist of
some note). In 1961, Fontella was discovered by St.
Louis bandleader Oliver Sain, who brought her into
his organization to play piano. Little Milton was the
band’s initial vocalist, and Bass participated on several
sides that Milton recorded for the local Bobbin label.
She subsequently recorded four sides under her own
name for Bobbin. In 1963, after Little Milton left the
Sain band, Bass and singer Bernard Mosley became
the featured vocalists. Mosley was soon replaced by
Bobby McClure. The following year Chess Records
signed Bass and McClure to record for its Checker
subsidiary in Chicago. They debuted as a duet act,
coming out with two hits, ‘‘Don’t Mess Up a Good
Thing’’ and ‘‘You’ll Miss Me (When I’m Gone)’’ in
1965. Bass launched her solo career in 1965 with a huge
hit, ‘‘Rescue Me.’’ The flip featured an outstanding
gospel-blues ballad, ‘‘The Soul of a Man.’’ Bass’s
career at Chess was gradually dissipated by a series
of undistinguished but three commercially successful
follow-ups, ‘‘Recovery,’’ ‘‘I Surrender,’’ and ‘‘Safe and
Sound.’’
Bass left Chess in 1967, and recorded for Jerry
Butler’s Fountain Productions, then moved to Stan
Lewis’s Paula label, recording under the production
aegis of her old bandleader, Oliver Sain, and then for
Epic. Bass never had another hit record. Occasionally
she appeared as a vocalist on jazz albums recorded by
her husband, Lester Bowie, trumpeter in the famed
Art Ensemble of Chicago.
Rhythm And Blues Encyclopedia
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