Mary Afi Usuah With The SES Cultural Centre Band* – Ekpenyong Abasi
https://www.youtube.com/playlist?list=OLAK5uy_k22BxqvLo7krkXsfFjQ_tcEConS38XKWA
Ekpenyong Abasi
Sello:
SESCULT – SESCULT 01
Formato:
Vinyl, LP, Album
País:
Fecha:
Género:
Estilo:
Pistas Ocultar Créditos
| A1 | Ima Mma Uyem Written-By – Dan Satch, Mary Afi* | |
| A2 | From Me To YouWritten-By – Dan Satch, Mary Afi* | |
| A3 | Afia Mma (Hulalah)Written-By – Dan Satch, Mary Afi* | |
| A4 | Mma Ama MboWritten-By – Mary Afi* | |
| B1 | EkpeWritten-By – Mary Afi* | |
| B2 | Call Me Your LoverWritten-By – Dan Satch, Mary Afi* | |
| B3 | Ekpenyong AbasiWritten-By – Mary Afi* | |
| B4 | Ebre MbreWritten By – AkimWritten-By – Bassey* |
Compañías, etc.
Recorded At – ARC Studio, Lagos
Published By – Cultural Centre Board, Calabar
Printed By – Wilmo Printers, Lagos
Créditos
Engineer [Recording] – Demola Odebiyi
Featuring – The SES Cultural Centre Band*
Featuring, Written-By, Arranged By, Lead Vocals – Mary Afi Usuah
Leader – Dan (Satch) Ekpe*
Producer – Inyang Ema, John Ekwere
Written-By, Arranged By, Leader – Dan Satc
masterpiece:
Mary Afi Usuah – African Woman
https://www.discogs.com/es/Mary-Afi-Usuah-African-Woman/release/4791103
https://thequietus.com/articles/18090-mary-afi-usuah-ekpenyong-abasi-review
Mary Afi Usuah
Ekpenyong AbasiClyde Macfarlane , June 12th, 2015 09:44
Voodoo Funk present a heady trip into Nigerian funk, blowing the cobwebs off a genuine rarity among a 21st century resurgence for 70s African albums. Spearheaded of course by Fela Kuti's posthumous uprising, afrobeat and West African funk is becoming increasingly sought after; appreciation for the period has even swelled to a scale that warrants its own Sugarman or rarity-within-rarity, manifested in the elusive figure of William Onyeabor. There comes a point when you question the selection processes of these record labels, as easy as it seems to dip into this avalanche of dusty, tropical heat-warped LPs and pluck out something brilliant.
But Mary Afi Usuah is definitely the product of an arduous and determined trawl. A rare female voice on the circuit, Afi Usuah's career focused more on promoting the arts in post-civil war Nigeria than a personal output. Having been musically trained in London, Rome and Naples, her thirteen year tour of Europe saw her support acts as diverse as Led Zeppelin, Duke Ellington and Deep Purple while she experimented in styles ranging from jazz and rock to opera. She then recorded three solo albums - none of them well known beyond a generation of Nigerians - before taking a post at Lagos' Ministry of Information and Culture. Afi Usuah died in February 2013, tragically short of this re-release of her 1975 debut album, Ekpenyong Abasi.
A keen guitarist from a young age, Afi Usuah's advances as a female composer/songwriter made her career unusual at the time. A similar exception came with the criminally underrated Lijadu Sisters, a twin duet who created dreamy soundscapes by singing in perfect synchronisation; the same effect is made on Ekpenyong Abasi, with Afi Usuah's vocals reverbing into infinity against an echo of backing singers. She possesses the sultriness of the great African American jazz singers, complemented on most tracks by the kind of slow, dark funk that Sly & The Family Stone did best. All members of the unimaginatively named 'Cultural Centre Band' were unaccredited, but trumpeter and bandleader Dan 'Satch' Asuquo has since been acknowledged as the main creative force.
Dan Satch was known in Nigeria for integrating traditional idioms into a popular music context, resulting in several experimental singles. Ekpenyong Abasi was an album-length extension of those experiments, with Afi Usuah sharing her desire to promote indigenous Nigerian art in all its forms. Stop-start rhythms and wild, untamed drum whacks dominate on 'Mma Amo Mbo', a track which speeds to a heart-attack inducing pace; in terms of Afi Usuah and Dan Satch's traditional awakening, this is probably the standout moment.
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